qualität kommt von quälen
so, as i mentioned before, i will be moving out of my current studio in late august.
trying to find a new tenant: i know, my landlord would take care of it, but they would have to arrange with me anyway (plus i love doing this stuff in a way?), and i want to hand over the kitchen that i created, too.
tell your friends who want to move to or within düsseldorf.
jeroome, please email me. i wouldn’t know how to get a hold of you. thanks.
daytum is not so bad, currently beta-testing it.
staircase stories. these people here in dortmund have round corners and giant tiles.
the last time i was here was in 2004, when i was modeling for a photo student.
at fhdo, now meeting j.w. to show him what i am up to. hope we will like each other.
wearing my carpet or couch piece or whatever it is and the plaid rainboots.
update: we like each other.
Locked Box #2 (1988)
Metropolitan Transit Authority
This extremely subtle piece reexamines the assumption that art must be visually accessible to be important and identifiable as a creative work. This artist explores the limitless possibilities of the hidden here, allowing the viewer to reevaluate underlying preconceptions, and to recondition the inner mind to work with the perception of the commonplace outer space.
Improv Everywhere put up wall labels and hosted a gallery opening at the 23rd St. C/E station in NYC.
(via Lowconcept, sexartandpolitics, sympathyfortheartgallery)
Agent Lindquist: »I think my favorite piece of the evening was the performance art titled “Woman sitting on bench, ongoing.” It was great to watch the people not involved in the mission sitting on the bench watching us watch them. Where did life end, and art begin? Where did art end, and life begin? The people sitting were totally confused. Finally, one woman looked up at the placard behind the bench, chuckled a bit and got up. The look on her face when she discovered that she was a performance artist was amazing!«
painting (!) by Jeremy Geddes
(via laureola)